Think I'm kidding? Check out Tim Kreider's essay in the Newspaper of Record. First, the naïve view thought to appeal to the kids of the era.
Now that it’s one franchise among many, “Star Wars" seems timeless, but the original is very much a product of the 1970s: Mr. Lucas began writing it while American troops were still in Vietnam and Nixon was being consumed by his dark side. It’s remembered now as a proto-Reaganesque, reactionary backlash against the morally ambiguous cinema of the ’70s, but it’s also a countercultural, anti-fascist fable about shaggy young outsiders fighting a revolution against the faceless, armored henchmen of a military technocracy. The Empire is comfortably identified with our favorite movie enemies, the Nazis, which helps disguise the fact that they are also, metaphorically, the imperialist invaders of Vietnam, confident in their devastating firepower to crush an ill-equipped insurgency. This subtext got a lot less subtextual in “Return of the Jedi,” in which the occupiers’ superweapons are thwarted by the guerrilla tactics and crude booby-traps of a pretechnological people.He continues. (Let me enlighten you, deplorable, from my throne at the Cathedral.)
Lots of critics pointed out that the coda of “Star Wars,” when three heroes march up a corridor between columns of massed soldiers, is a visual quote of the wreath-laying at Nuremberg in “Triumph of the Will,” but everyone seems to assume this is a random allusion, devoid of historical context. It’s not as if Mr. Lucas was oblivious of the source. His film is full of fascist iconography — all, up until this moment, associated with the Empire. Assuming this final image is deployed intentionally, it might be most hopefully interpreted as a warning: Don’t become the thing you’ve fought against. The intimation of a hidden kinship between our hero and his enemy was right there in Darth Vader’s name all along — the dark father.I recall a graduate school contemporary of mine raising the possibility that "Darth Vader" meant "dark father," and yes, that came to pass during Empire Strikes Back; and later we discover that somebody sliced Anakin's hand off the way Vader sliced Luke's hand off.
The ostensible moral of “Star Wars” is anti-technology, pro-“feelings” — a very ’70s sensibility. The Empire is a rigid, militaristic hierarchy, obsessed with its high-tech weaponry. But underlying it is an older tradition, represented by Darth Vader, that’s religious, mystic.





