OUR CONTEMPORARY E-T-T-S MOMENT IN THE SATURDAY EVENING POST.

As illustrated in the style of Norman Rockwell.

[T]he basic juxtaposition that runs throughout the series – those jarring ideals – does rather throw into relief some fashionable assumptions of our time. The Forties’ suits with pronoun pins, the applauded looting, classroom violence, transgender sports, the Pride-obsessed educators with big, phallic balloons, etc. There is, I think, a certain… resonance.

The Rockwell aesthetic and period setting invites the viewer to imagine how one’s grandparents or great-grandparents might have reacted if faced with our time’s more modish pieties. A borderless, degenerate, bug-eating dystopia in which childhood is bureaucratically sexualised, and in which sporting unfairness and feral selfishness are met, by our betters, with pretentious approval. It’s very now.

The full series is here. Mr Thompson warns, "Not all of it savoury."