Absolutely.
What drew audiences of 7,000 to 10,000 beneath the big top day after day in whistle-stop after whistle-stop, however, was the prospect of seeing seemingly impossible things: human beings cavorting upon the backs and heads-in-the mouths of animals from storybooks, performing feats of daring on swings and slender wires 100 feet or more aloft that the Wallenda family would apotheosize. It was a nonstop array of death-defying activity punctuated by such 20th century astonishments as automobiles soaring into loop-the-loops and elephants performing ballet choreographed by Balanchine, the gone-mute clowns cavorting all the while.We will be judged by the monuments we've destroyed.
In the United States, these amazing feats helped make the circus into a political and social institution that reflected sky’s-the-limit thinking. The circus’s development paralleled the nation’s own growth. Yes it was a diversion, but one that also became a portable manifestation of the American Dream.
By the time television became ubiquitous in the 1950s, the writing was on the wall. The Feld family, who purchased the Combined Shows from Ringling heirs in 1967, made a go of it for another half-century, but in May of 2017, the show — its elephants dropped two years before as a result of mounting pressure from animal rights activists — was closed for good. It left behind a few small regional shows, currently covid-shuttered Cirque du Soleil and such vestiges as the television show “America’s Got Talent,” as a reminder of what once dominated popular entertainment.The good news is, the itinerant circus is still with us, if you know where to look.
Some might dismiss the passing of the circus as the demise of an outmoded pastime, but to dismiss an enterprise that for more than a century held an entire nation spellbound is a shortsighted example of ahistoric thinking. One cultural critic deems the long success of the circus to be a result of its ability to wrap up the “American Experience,” including most everything that we find entertaining — exoticism, supreme athleticism and life-or-death drama — in the space of an afternoon. And, adds Kenneth Feld, successor to his father Irvin as latter day circus man, all the impossible feats witnessed in the circus are real — a reminder of the institution’s ability not only to entertain but inspire.
Certainly, the loss of the circus makes us a more lonely people. Cultural historian Ernest Albrecht laments the fact that technological advancement has resulted in the increasing delivery of entertainment directly into homes (and phones), where diversion often becomes a solitary act.
In the miniature world, the Karlson Brothers Circus presently will be announcing show dates for later in 2021.





