By any normal standards, Donald Trump
should never have come anywhere near the White House again. Pick your transgression: claiming victory before the absentee votes came in,
injecting himself into the Georgia senate runoffs of 2020-2021 in such a way as to destroy the last opportunity to gridlock the Biden presidency, then there was
that futile and stupid gesture at the Federal Capitol; and in the 2022 Congressional elections, almost all of the aspiring senators he endorsed (Herschel Walker??? Mehmet Oz???) lost, and the Democrats didn't have to keep a bottle of bourbon at the head desk in case the vice-president had to break a tie. And yet, here he is, and the analyses of "What on earth just happened" are coming out.
Book Reviews N
o. 4, N
o. 5, and N
o. 6 cover
Fight: Inside the Wildest Battle for the White House, written by Jonathan Allen and Amie Parnes, who previously collaborated on
Shattered and
Lucky after, respectively, the 2016 and 2020 presidential elections;
Uncharted: How Trump Beat Biden, Harris, and the Odds in the Wildest Campaign in History, by Chris Whipple; and
2024: How Trump Retook the White House and the Democrats Lost America, by Josh Dawsey, Tyler Pager, and Isaac Arnsdorf.
In these reviews of the after-action reviews, I frequently lament the absence of a writer working in the style of Theodore H. "The Making of the President" White, wherein the author attempts to get beyond the insiders and their machinations to
consider what might be going on in the minds of voters. If anything, those three books only make the absence of reasoned thought more plain to see. Consider how
Fight opens. "The former House Speaker, still in perpetual motion at eighty-four, fixed her wide brown eyes on a rarely used television screen. If not for the vanishing supply of chocolate ice cream in the freezer, and the quick naps she caught between busy days, there was usually little evidence that anyone lived in her posh Washington crash pad at all." If you're writing for
Vanity Fair, yes, you do want to tell readers who designed political
reporter Kaitlan Collins's fuchsia dress and let readers figure out how much money she spent. Fashion reporting in a political story, not so much. But when you later introduce future chief of staff Suzy Wiles, at page 24, as "Soft-spoken and grandmotherly in appearance, she cut a striking contrast in a Trumpworld stocked with men who looked like bouncers and women whose surgical enhancements were as garish as their clothing." And Beltway reporters and pundits still cannot figure out why Donald Trump's "fake news" digs register so well with his voters. Authors Allen and Parnes only confirmed that potty-mouthed Democrats were sounding off that way long before somebody suggested that to do so made them sound more authentic, or perhaps more angry.
Uncharted? Look for copies on the cheap in the remainder bins and used book stores. Author Whipple (Please don't squeeze my Schumer) writes, page 163, how "Tampon Tim," which resonated at Trump rallies, reflected "his support of women's reproductive rights." No, the governor was all-in on the vanishingly small number of mentally disturbed women who claimed to be men
having the men's room stocked with ...
tampons. The authors of
2024 are establishment writers, Mr Dawsey at
The Wall Street Journal, Mr Pager a White House correspondent with New York's
Times, and Mr Arnsdorf having that portfolio with Washington's
Post. And their biases show. Penguin continue
the annoying practice, in
2024, of using numbered endnotes to cite sources, while using reference marks to introduce asides as footnotes, such as, at page 213, calling attention to
Hillbilly Elegy as a case study in
victim-blaming; and the authors suggest campaign operative Corey Lewandowski and South Dakota governor Kristi Noem were an item, later extending the insinuation to suggest that it was he who recommended the governor, rather than Stephen Miller head Homeland Security, and that doing so, see page 338, offers a "gentler face for deportation."