Ever since the second coming of a Trump presidency, higher education types have protested that the administration is conditioning its financial support on obeisance to that administration's policy goals. Regular readers of Cold Spring Shops have
long understood what
Reason's Jack Nicastro put bluntly. "
Federal Funding for Universities Comes With Strings. Now Trump Is Pulling Them." His focus is on the appropriability of patent royalties: yes, on occasion federally sponsored research comes up with commercially successful things. His concluding paragraph, however, notes the broader implications of Our President's actions.
Getting the government involved in subsidizing higher education was always a Faustian bargain. The Bayh-Dole Act may have supported the tenfold increase in university patents in the two decades following its passage, but it did so at the expense of attaching government strings to academic research. It should come as no surprise that the Trump administration is now tugging on them to cow academia into compliance with its political agenda.
As if the other government strings didn't have the same effect. The post's title comes from a Rikki Schlott essay, "
How Ideologues Infiltrated the Arts," which ran in The (Not Detroit) Free Press midway through the Jarrett regency, during which the foundations and the national endowments shared a common view of what was True and Beautiful. Choreographer Lincoln Jones got the equivalent of a "recant or be excommunicated" missive from
Pope Linus the people who write the checks.
“Fundraising felt impossible,” he added. “The requirement on grants comes down to this: If you don’t agree with this very particular and recently adopted approach to social justice, we won’t fund your art. Behind the scenes, so many people in the arts world told me just to say the words.”
“Every time I spoke to funders, the first conversation was about diversity. It just felt like, okay, this is how you get funding now. Honestly, it felt like somebody was holding a gun to my head and saying, ‘Your integrity or your life’s work.’”
That bargain—pledge allegiance to the new orthodoxy or stick to your mission and risk your career—is one now faced by many in the world of American fine arts.
I mean, when the director of the National Endowment for the Arts during the Obama presidency, Rocco Landesman, recognizes there's a problem, there's probably a problem.
Landesman, 75, who has produced multiple Tony-winning shows including Angels in America and The Producers, said he worries about what is happening to the world where he has dedicated his entire life and career.
“We’re taking first-rate artists and making them into third-rate political activists,” he said.
“Art is supposed to unsettle us; art challenges what we feel about ourselves,” he continued. “But most of the art today affirms commonly held views of our society. You either fit in or you perish.”
The same thing
might be happening to decorated laboratory scientists in universities you might have heard of, according to Minding the Campus contributor J. Scott Turner.
There is nothing unlikeable about any of the scientists whose stories Blonigan and Liu tell. They are justly proud of what they do, and of their devotion to science. As someone who spent a multi-decade research career in a never-ending scramble for funds and living with perpetual uncertainty, I feel their pain.
Nevertheless, they are in the grips of a prideful delusion: that they are valued as scientists, that the funding, privilege, and prestige they enjoy have been conferred on them so that they might advance science, and that what they do is valued by their universities as science. They are blind to the reality that they are galley slaves, chained to the oars, valued not for the science they do nor for their good intentions, but for the revenue streams they generate.
Doubt me on this? Here’s a thought experiment. Decide to dedicate your career to an intellectually promising line of inquiry that doesn’t cost much money to pursue, or even better, that can be funded without grants. What do you suppose will happen to your academic career? Here’s my hypothesis: you will soon have no academic career.
And where is nemesis in all this? Pull away the mask, and her identity is revealed. Nemesis is the mighty river of federal research funding, roughly $100 billion that streams into universities nationwide every year.
Note further, dear reader, that any institution of higher (cough!) learning that wants to participate in federally funded research or performance or guaranteed student loans
must comply with, you guessed it, government guidelines. Cynical Me suggests that the guidelines, pre-Trump, enforced agreements among the universities that the universities could never reach among themselves.